Even reviews written before Fisher passed away singled out the de-aged Leia as a more distracting character reprise than Tarkin, especially since it was meant to close out the movie on a note of hopeful nostalgia. For many viewers, this made the brief appearance of a young Princess Leia in the film all the more uncanny. But Fisher died on December 27, 2016, during the theatrical run of Rogue One. In this case, the original actress, Carrie Fisher, was alive to see the result and give it her approval. ![]() The movie concludes with a brief cameo of a young Princess Leia, also created with CGI. Recreating Cushing for Rogue One was experimental in two senses: Disney was testing out both the technology and audiences’ reactions to it.Ī sad accident of timing made another use of CGI in Rogue One more attention-grabbing. Industrial Light & Magic’s computer-generated imagery (CGI) wizards digitally resurrected Cushing to once again portray the villainous Imperial Grand Moff Tarkin, a central antagonist of the original 1977 Star Wars, in which the character brutally orders the destruction of Princess Leia’s home planet of Alderaan. Peter Cushing’s performance in 2016’s Rogue One: A Star Wars Story is remarkable because Cushing died in 1994. But it both denigrates the craft of acting and violates the dignity of the human body by treating it as a mere puppet. The technology on display here is impressive. ![]() Disney pioneered a new response in its latest Star Wars movie: resurrecting a deceased actor to reprise a role from beyond the grave. Makers of film and television find ways to respond to the death of an actor, from recasting a role without comment (like Dumbledore in the Harry Potter films) to making the changeover of lead actors a central motif of a series (the Doctor in Doctor Wh o). ![]() In a world of serial storytelling, characters commonly outlive the actors who play them.
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